Th3l3Mag1g^Bar&L0ung3^Tun3s

Werbung:
"ACT ONE

Prelude
At sea, on the deck of Tristan's ship during the crossing from Ireland to Cornwall."

http://www.youtube.com/watch?v=SF4zN-Okonc

Friedrich Nietzsche, who in his younger years was one of Wagner's staunchest allies, wrote that, for him, "Tristan and Isolde is the real opus metaphysicum of all art. . . insatiable and sweet craving for the secrets of night and death. . . it is overpowering in its simple grandeur".

In a letter to his friend Erwin Rohde in October 1868, Nietzsche described his reaction to Tristan's Prelude: "I simply cannot bring myself to remain critically aloof from this music; every nerve in me is atwitch, and it has been a long time since I had such a lasting sense of ecstasy as with this overture".

Even after his break with Wagner, Nietzsche continued to consider Tristan a masterpiece: "Even now I am still in search of a work which exercises such a dangerous fascination, such a spine-tingling and blissful infinity as Tristan — I have sought in vain, in every art."
 
Wunderbar, ewig nicht gehört......

Friedrich Nietzsche, who in his younger years was one of Wagner's staunchest allies, wrote that, for him, "Tristan and Isolde is the real opus metaphysicum of all art. . . insatiable and sweet craving for the secrets of night and death. . . it is overpowering in its simple grandeur".

In a letter to his friend Erwin Rohde in October 1868, Nietzsche described his reaction to Tristan's Prelude: "I simply cannot bring myself to remain critically aloof from this music; every nerve in me is atwitch, and it has been a long time since I had such a lasting sense of ecstasy as with this overture".

Even after his break with Wagner, Nietzsche continued to consider Tristan a masterpiece: "Even now I am still in search of a work which exercises such a dangerous fascination, such a spine-tingling and blissful infinity as Tristan — I have sought in vain, in every art."
"Unter dem Zauber des Dionysischen schließt sich nicht nur der Bund zwischen Mensch und Mensch wieder zusammen: auch die entfremdete, feindliche oder unterjochte Natur feiert wieder ihr Versöhnungsfest mit ihrem verlorenen Sohne, dem Menschen.
.......
Der Mensch ist nicht mehr Künstler, er ist Kunstwerk geworden: die Kunstgewalt der ganzen Natur, zur höchsten Wonnebefriedigung des Ur-Einen, offenbart sich hier unter den Schauern des Rausches. Der edelste Thon, der kostbarste Marmor wird hier geknetet und behauen, der Mensch, und zu den Meisselschlägen des dionysischen Weltenkünstlers tönt der eleusinische Mysterienruf: »Ihr stürzt nieder, Millionen? Ahnest du den Schöpfer, Welt?«


Die Geburt der Tragödie...
 
Werbung:
Zurück
Oben